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Article

December 31, 2022

The Throat-Bell Container (huryŏngt’ong) Recovered from the Wooden Seated Vairocana Buddha of Early Chosŏn in Hainsa

Heunsuk Lee

Korean J Art Hist. 2022;316:5-37.

In the Vairocana Hall of Haeinsa, there are two Vairocana statues made in the 9th century, during the Unified Silla period. In 1490, the statues were filled with sacred objects...

Article

December 31, 2022

Discarding the Brush: Kang Sehwang and a Sociocultural History of the Chŏlp’il Practice in Eighteenth-Century Chosŏn

Kyunghwa Lee

Korean J Art Hist. 2022;316:39-71.

Literally meaning “discarding the brush,” chŏlp’il refers to a painter’s sudden withdrawal from artistic activities. In the field of Korean art history, chŏlp’il has long been treated as a secondary...

Article

December 31, 2022

Development and Dissemination of the kkiumipsa Technique in late Chosŏn, Focusing on Copper Crafts

Serine Kim

Korean J Art Hist. 2022;316:73-105.

This paper studies the development of the kkiumipsa technique used on copper crafts, focusing on the types of the technique, materials, and the cultural consumption of the crafted items. The...

Article

December 31, 2022

The Empire of Needle and Thread: Imperial Authority and Embroidered Buddha Images in the Tang Dynasty

Hyunsook So

Korean J Art Hist. 2022;316:107-133.

This paper studies the function of embroidered Buddha images and how and why they were made during the Tang dynasty when embroidery emerged as a major medium for Buddhist art....

Article

December 31, 2022

The Development of Changzhou School and Yun Shouping’s (1633-1690) Flower Paintings

Kiyeon Park

Korean J Art Hist. 2022;316:135-166.

Yun Shouping 惲壽平 (1633-1690) was one of the Early Qing orthodox masters. He embarked on his artistic career by painting landscapes in the Southern School style, but later gained his...

Current Issue: Volume 316; Dec 2022

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