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Volume 300; Dec 2018

Prince Anpyeong(1418~1453), His Character and Cultural Contributions: Hwi-Joon Ahn; Korean J Art Hist. 2018;300:5-43. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.001; PDF

Paintings of Flower, Vegetable, and Fruit from the Late Joseon Period: Focusing on Sim Sajeong and Gang Sehwang: Soon young Yoo; Korean J Art Hist. 2018;300:45-73. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.002; PDF

Court Painter An Geon-yeong (1841~1877), His Life and Figure Painting of the Late Joseon Period: Jin su Park; Korean J Art Hist. 2018;300:75-104. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.003; PDF

Western Collection of Folk Painting from the Late Joseon Period: Chin yong Yun; Korean J Art Hist. 2018;300:105-136. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.004; PDF

16th Century single-leaf Woodblock Prints from the Ssanggyesa Temple in Eunjin: Ja hyun Kim; Korean J Art Hist. 2018;300:137-166. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.005; PDF

Clay Seated Sakyamuni Buddha Triad and Four Standing Bodhisattvas in Daeungjeon Hall of Gapsa Temple: Gwang hee Kim; Korean J Art Hist. 2018;300:167-195. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.006; PDF

Monk-sculptor Schools and the Problem of Ghost-producing in the Late Joseon: Un sok Song; Korean J Art Hist. 2018;300:197-218. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.007; PDF

The Types and Meanings of the Orchid Paintings on Craftwork in the Seventeenth and Eighteenth Centuries: With a Focus on the Inner Cases for Books Made of Jade, White Porcelains with Underglaze Iron-brown Painting and Blue and White Porcelains: Yeong ju Kang; Korean J Art Hist. 2018;300:219-253. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.008; PDF

Rethinking the Carving No. 20 at Dafowan, Baodingshan,Dazu Visual Experience of the Viewer: Choong hyun Jo; Korean J Art Hist. 2018;300:255-280. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.009; PDF

The Ghost Amusement Scroll by Luo Ping (1733~1799): Esther Choi; Korean J Art Hist. 2018;300:281-309. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.010; PDF

Identity and Aesthetics: Some Thoughts about the ‘Koreanness’ of Korean Art: Burglind Jungmann; Korean J Art Hist. 2018;300:311-322. Published online December 31, 2018; DOI: https://doi.org/10.31065/ahak.300.300.201812.011
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